Saturday, September 7, 2013

Thank You Conrad Manuel Hiraldo - part 3 - Roosevelt Island: Perspective

This is part three of my seven-part essay "Thank You Conrad Manuel Hiraldo." Introduction and part one. Part two.

Via Socrates Sculpture Park and Vernon Boulevard we find ourselves on Roosevelt Island Bridge, which links the island to the borough of Queens. Until now I did not know the bridge existed. A notice half way across says that in 1955 it received an award of merit for the “most beautiful steel bridge” from the American Institute of Steel Construction. I am not surprised. It is a dark red color. Its tall structure recalls the railroad gantries a little further South in Long Island City that hauled cargo from ship to train. It has that thrill of soaring metal that so many of the New York City bridges do. Conrad’s stroller, which is not big, just about fits across the width of the walkway that is squeezed between whipping traffic and the drop to the river below. There is a wire mesh fence between us and the river but that does little to break the sense of threat.

The island has been put to many uses over time. Dutch settlers ran pig farms on it. In the 1830s, a prison and the New York Lunatic Asylum were built; undercover reporter Nellie Bly exposed the horrendous conditions at the asylum by spending ten days there. “In the upper halls,” she wrote, “a good view is obtained of the passing boats and New York. I have watched patients stand and gaze longingly toward the city they in all likelihood will never enter again. It means liberty and life; it seems so near, and yet heaven is not further from hell.”

The island, which for a while was called Welfare Island, was also the site of a smallpox hospital. The hospital ruins remain. They are floodlit at night and from Manhattan look like a hollow-eyed ghost facing the river. Soon after moving to New York I bought a book, Invisible Frontier – Exploring the Tunnels, Ruins, and Rooftops of Hidden New York. I bought it in the now-closed Blackburn bookstore on Broadway in Astoria. Little did I know that within four years I would be raising my children in the neighborhood. In the book a group of urban explorers sets about almost-inaccessible parts of the city, including the smallpox hospital. They describe a precarious clamber over crumbling brick walls clad in foliage, opening their account of the exploration with two lines from T.S. Elliot’s The Waste Land:

“What are the roots that clutch, what branches grow

Out of this stony rubbish?”

Today, the mostly un-ruined Roosevelt Island consists of chunky apartment buildings, many of them home to people who work at the United Nations building across the river.

We cross through to the Western side of the island (it is less than a kilometer wide) and do a loop over its Northern tip, pausing for a while in a park with a view across to Manhattan. Among Manhattan’s squeezed streets it is easy to forget that it too is an island, despite what you might think would be wake-up calls in the form of hurricanes like Sandy that hit a couple of months after our walks in the city. From here the geography is more apparent. We are close to the water with its choppy current and it is not difficult to flash back a few hundred years to when Native Americans navigated it in their canoes. The backsides of the Manhattan buildings look like temporary appendages.

On the top tip of the island is a small lighthouse. It has not been used since the 1940s. I have seen it so many times from the Astoria shore that it feels disorienting now to be standing here, as if I should be looking across the water at myself. A couple on bicycles swoops around the lighthouse. Then it is just Conrad and me and the splashing water and a wide sky. Open spaces like this within the city are like a deep breath. On the concrete river wall are traces of crab shell – some pincers and a cracked back – the remnants of a seagull’s dinner. I read the small plaque at the bottom of the lighthouse in memory of Vicki Holland, a polio patient who was treated on the island before living in an apartment here, and who campaigned for disability rights. Randomly-encountered inscriptions like this are quiet voices on behalf of people who have gone, just enough to say for some time afterwards, “I existed, remember me.”

Walking back down the Eastern side of the island we pass the Fire Department of New York’s Special Operations Command Division. Small fire trucks and vans are clustered outside. Firefighters in ceremonial uniforms talk beside them. It is only then that I realize the date, immersed as I am in my and Conrad’s world. It is September 11, the anniversary of the World Trade Center attacks. Later I hear a little about the day’s events and how purposefully understated they are compared with the previous anniversary, the tenth. The emphasis now is on a respectful acknowledgement of those who lost their lives, a pause to reconnect then carry on. More inscriptions, this time painted onto the window of one of the trucks:

DC Raymond Downey

DC Charlie Kasper

DC John Paolillo

BC John Moran

Part four: Astoria (day): Power

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