How do we read our worlds? On the way back from the paintings of Fulton Fish Market I stopped at the big Borders store on W 34th and 7th (in fact all Borders stores are temptingly, dangerously big. They are brothels of titles, book-jackets and reviewers’ blurbs). I emerged with three books. One was "Up in the Old Hotel", a collection of Joseph Mitchell's writing for the New Yorker. Why? Because the fish market exhibition included a section on him, with photographs of him, articles by him, and articles about him, about his life as a Southerner documenting New York and its people in permanent flux, capturing precious fragments as he went and preserving them for posterity. Another was Michael Pollan’s "Omnivore’s Dilemma", a Natural History of Four Meals. Because when I’d mentioned my own book idea to Si, she recommended it for the way Pollan skilfully serves up the stories behind what’s on our plates. The third was Thoreau’s "Walden". Because one of our Development Director candidates had previously worked at the Thoreau Society and he managed to weave Thoreau’s ideas on the economy into his interview answers – when the book confronted me from its shelf as I headed to the checkout I read that as a message to read it. So people and places I’d encountered had planted signposts in my mind that I unconsciously carried about till I had the opportunity to follow them.
There are layers of reading. From snippets communicating moments, epitomised by Twitter. To the chattering and chewing over news that gathers in the blogosphere and on sites like Huffington Post and the Daily Beast, which offer the service of sifting and framing information for a certain type of reader – for you – creating the illusion of reader-empowerment but in the process moulding you more into that certain type of reader. To “news”, loud and clear but often meaningless, packaged by agendas (today I skim-read a commentary by George Monbiot - discovered while perusing a certain ex’s Facebook page - about the extent to which “news” on climate change is suffused with lies, and about the way in which we choose to read the news we want to be real). To long, investigative articles, an endangered species and all the more noble for it though as a journalist-at-heart I would say that: articles that probe deep, calm, and objectively (yeah right) into a moment, situation or person and by telling it reveal certain universalities though never labelling them as such. To books. Always books. They survive because sometimes we need to be engrossed. We need to be carried along for more than a minute without distraction. Have non-fiction interpret the world for us. Have fiction express it. Last night Ch and I heard Toni Morrison reading from her new book "A Mercy" and answering questions. Listening to her was like hearing a hundred lives in one.
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